Showing posts with label British Library. Show all posts
Showing posts with label British Library. Show all posts

Sunday, 29 June 2014

Book It

I just finished the final touches to my "Gilliam Animation", which I've tentatively titled Book - for want of a better name - and uploaded to Vimeo.

(You can see it here.)

It's taken me far too long to complete, what with laziness, tedium, losing a load of work and being put off and having to find the right live-action elements to include. But it's done.

It's almost ironic that the part of the process I knew the least about and had never attempted before, took me the least amount of time. I started this morning and finished a short while ago. (That was compositing the animation with the live footage of the book.)

I think it worked out well too, considering I took the lazy approach and avoided using After Effects and masks - instead winging it with the limited effects in Premiere and a prayer that the clumsy edits won't be noticeable during viewing. (I don't think they are.)

I'm actually incredibly pleased with how it's come out. Especially how well I managed to make digitally animated scans, combined with footage of a blank page, look like closeup shots of an actual book.
It was challenging given the inconsistent colouring of a lot of the source images (that I probably should've corrected at the first stage rather than last) and I ended up using a lot more and far different effects than I imagined when I first conceptualised it.
In particular not being able to chroma key the image backgrounds and having to add digital shadows to mimic those of the page-turn to make them more seamless.

Below are some screenshots to pique your interest/allow me to show off.

I had to write a load of nonsense to make the scenes look more like real book pages. They're not even complete sentences; there's nothing before the left edge of the shot.

I'm not going to pretend that I don't think I'm a genius for adding a layer of mirrored text to emulate the look of the adjoining page showing through the paper.

I think the overall effect is convincing. I'd believe this is a photo of a book page, and I KNOW that I made it.
 

Tuesday, 28 January 2014

Terry-ble at updating

I've been working for some time, on-and-off, on this silly little competition project. But I've been very bad at keeping anyone updated on its progress. There came a few stalls when I had some crashes and lost a lot of work - and some of it can get quite tedious to animate, so it's very demotivating to lose it. Additionally, I also intend to splice in some live action footage of an old book. Finding the right book for the job also hindered progress, but I have something now.

Here are a few images to show what caught my eye in the British Library's collection and illustrate the work I did to make them "animateable".
This, I believe, is the original, unedited version of this image that I downloaded.


Here you can see the edits I made to the base image itself...

...and this shows the embellishments and extra elements I added to animate the image.


Another of the images that caught my eye.

Side-by-side comparison of the original (right) and the edited version, with cut out elements in the centre.
Still of one live-action book shots, onto which I intend to superimpose the animations.

Tuesday, 17 December 2013

Gilliam's Wish Wellingtons

So, it was brought to my attention (by my good friend and fellow artist/animator, Sajan Rai) that the British Library have released a veritable digital treasure trove of old book illustrations that are now public domain.
Thus anyone can use them for any purpose without need for royalty payments and the like.


He suggested that he, I and another friend (Ben Wingrove) have ourselves a small competition to see who can create the best Terry Gilliam-style animation based on some of the imagery available. I'm quite excited by this concept and can't wait to dive in.

Immediately I'm getting ideas from images on the first page. I think I may go a little more towards the style of Mister Harpoon (as he is calling himself now) and the work he did on The Elegant Gentleman's Guide to Knife Fighting. It's an Australian sketch show, which I guess is a modern spin on Monty Python's Flying Circus (live action sketches interspersed with humorous animations).